Lil’ Wayne’s affinity for his own penis is second only to his love of cunnilingus. In Wayne’s defense, he’s usually giving it, but he only ever uses the term “pussy” to describe it, so he’s a mere 1 for 2 with any feminist fanbase he didn’t alienate with “She Will”. That hierarchy may not be letter perfect, but it’s a good guide to the sort of content you can find on Human Being II number one, in particular, is quite accurate, as this record seems to be primarily about oral sex. This forms the core of Lil’ Wayne circa 2013. * For the purposes of this album, an unspecified (but, evidently, tenacious) group of antagonists. Weezy speaking about himself in the third person, often using alter ego “Lil’ Tunechi”.ĥ. Graphic descriptions of the female anatomy.Ĥ.
Lyrical concepts prevalent in I Am Not A Human Being II (in descending order of estimated frequency):ġ.
Why focus on the dick jokes, you ask? Certainly Lil’ Wayne has other lyrical content up his sleeve. It’s one of approximately 1500, and I honestly believe that’s a conservative estimate. “I’m in the crib buck-naked, bitch”, Weezy lazily raps, right before making the first dick joke of I Am Not A Human Being II. It’s an abstract, fundamentally interesting experiment - that is, except for Lil’ Wayne himself. No 808, no canned drums, just piano and voice that’s par for the course in the singer-songwriter world, but practically unheard of in hip-hop. Rather, it’s a morphing, free-form piano piece that Lil’ Wayne eventually raps over. “IANAHB” opens the record with a flurry of ominous piano chords it seems as though it’s setting the stage for a dark, piano-laced beat, but the beat never kicks in.
Like, legitimately cool from a musical standpoint, not merely cool in the sense that Lil’ Wayne fans tend to cling to that ludicrous period of time where people were calling him the greatest rapper alive. he speaks on his next solo album “I Am Not a Human Being III” and also says that side b of No Ceilings 3 is dropping tomorrow 👀 a few brief, shining moments, Lil’ Wayne’s latest album flirts with being cool. Lil Wayne talks on what he’s been up to the last few days. It don’t even matter no more.”Įlsewhere in the interview, he said he’s dropping his next solo album I Am Not a Human Being III. Right when you think you Drake or you Nicki, they gon’ post something of a little six-year-old saying something that’s more popular than your songs. Unfortunately, given that fact, you gotta be more than someone to become a Drake or a Nicki these days. This is what’s next? Do I like, yay or nay? That’s not what it is these days. It had everybody looking to see how is next, what is next. They came in when music had everybody’s attention. What I mean by that is they came in right before all the social media popped off. Back then, when I did discover Drake and Nicki, the game was different. There’s no such thing as the next Drake or the next Nicki. In an interview with Bumbu founder Brett Berish on Instagram Live, he was asked if there will never be a Nicki or Drake and Wayne responded passionately: Accounting for only his own at $100 million seems like a discount, but including the whole Young Money catalog for that much feels like bad business. This means that apart from Wayne’s own catalog, the deal includes classic Drizzy and Nicki albums like Take Care, Nothing Was the Same, Views, and Scorpion as well as Pink Friday, The Pinkprint, and Queen.Īfter this news surfacing, Lil Wayne sold the catalogs for the cheap. “Plaintiffs are informed and believe… that, subsequent to termination, specifically in or about June of 2020, Lil Wayne was able to sell the Young Money Masters to Universal Music Group for in excess of $100 Million.” This includes the masters for Drake and Nicki Minaj as well. Now, more details from the suit brought on by Weezy’s former manager have surfaced.Īccording to Music Business Worldwide, the deal was for Young Money’s entire catalog. Last week, there were reports that Lil Wayne sold his masters to Universal Music Group in a deal worth over $100 million dollars.
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